Birth of Varoujan Khedeshian (April 7, 1937)

Varoujan Khedeshian was one of the most innovative directors of Armenian theater in the Diaspora during the second half of the twentieth century.

He was born on April 7, 1937, in Aley (Lebanon). At the age of sixteen, he debuted in the Hamazkayin “Kaspar Ipekian” dramatic troupe, directed by Georges Sarkissian, another famous name of Diasporan theater.

In 1960 he went to London to study at the Webber Douglas Academy of Dramatic Art. He graduated in 1965 and returned to Lebanon, where he joined the Hamazkayin “Levon Shant” dramatic troupe. Two years later, he founded the “Theatre 67” dramatic troupe, which had a very important role in the Lebanese Armenian community until the beginning of the civil war in 1975. Khedeshian was noted for staging works from the Armenian and international repertoire that went outside the mold of tradition, introducing the audience to contemporary works by playwrights like Arthur Miller, Peter Weiss, Edward Albee, and Neil Simon. He would maintain this approach when he took over the direction of the “Kaspar Ipekian” from 1989-2000. He translated a total of 22 plays from English into Armenian.

Some of the works he directed included, along with “Ancient Gods” and “The Emperor” (Levon Shant), “By the Road of Heaven” and “Up to Where?” (Hagop Oshagan), “Alafranca,” “The Oriental Dentist,” and “Brother Balthazar” (Hagop Baronian), “The Piper of the Mountains of Armenia” (Hamasdegh), world-famous works like “The Merchant of Venice” (William Shakespeare), “Who’s Afraid of Virginia Woolf?” (Edward Albee), “Marat/Sade” (Peter Weiss), “The Crucible,” “View from the Bridge,” “The Price,” and “All My Sons” (Arthur Miller), “The Prisoner of Second Avenue” and “Barefoot in the Park” (Neil Simon), “The Master Builder” (Henrik Ibsen), “Romulus the Great” (Friedrich Dürrenmatt), “The Venetian Twins” (Carlo Goldoni), “The Caretaker” (Harold Pinter).

From 1979-1987 Khedeshian staged five dramatic performances in Armenia, both in Yerevan and Leninakan (now Gyumri), and received the “Bedros Atamian” medal in 1987, becoming the first Diasporan Armenian who earned this award during the Soviet period.

His decades-long theatrical activity earned him multiple accolades and several distinctions late in life. In 2000 he was decorated with the “St. Mesrob Mashdots” order of the Holy See of Cilicia by Catholicos Aram I and the Hamazkayin order by the Central Executive Board of this organization. In 2008 the Ministry of Culture of Armenia awarded him its gold medal, and Catholicos of All Armenians Karekin II bestowed upon him the “St. Sahag-St. Mesrob” medal of the Armenian Church. Meanwhile, in 2004 he had received the order of the Institute of Arts of Lebanese University, where he had taught dramatic art from 1971-1999.

Varoujan Khedeshian passed away on December 28, 2015, in Beirut, at the age of seventy-eight.

Birth of Aram Haigaz (March 22, 1900)

Aram Haigaz was a familiar name in the Armenian literary scene of New York and a popular writer in the Diaspora for more than six decades. 
Born Aram Chekenian in Shabin Karahisar on March 22, 1900, he studied at the elementary school of his hometown. He would eventually become a survivor of the Armenian Genocide. In the summer of 1915, the Armenian population of Shabin Karahisar, some 5,000 people, rejected the order of deportation, set fire to their homes and fields, and climbed up the mountain that shadowed the town, where the remains of an old Roman fort served as their protection. They had taken food and animals with them. However, after a desperate resistance of almost a month, they were forced to surrender by famine. Only a handful survived, including Aram Haigaz, whose brothers, father and other relatives perished. He survived by converting to Islam and living as a Muslim, as many other young boys in those days, until he escaped to freedom. His memoir Four Years in the Mountains of Kurdistan (1972; translated into English by his daughter Iris Chekenian in 2015) described his life and servant, and how he grew from boyhood to youth among Kurdish tribesmen and chieftains.
After the end of World War I, the young survivor escaped to Constantinople in 1919. He was reunited with an aunt and spent some time in an orphanage run by American missionaries. He later attended the Getronagan High School for a year and a half. His literary essays attracted the attention of his teacher, the famed writer and critic Hagop Oshagan. He sailed for the United States in 1921 and settled in New York. He worked as an apprentice photo-engraver at The Daily Mirror newspaper and studied English at night, voraciously reading world literature. He started contributing to Armenian publications in 1922 and took the pen name Aram Haigaz, after the name of one of his elder brothers who had died in 1915. He married and had two children.
He would publish ten books in his lifetime, as well as scores of essays and reviews for Armenian newspapers and magazines throughout the Diaspora. His first book, however, would be H. Baghdoyan’s English translation of his memoir on the resistance of Shabin Karahisar, The Fall of the Aerie (1935, reprinted in 2010). He would continue working on the history of the self-defense and collecting testimonies, which he condensed in a book, Shabin Karahisar and Its Heroic Struggle (1957).
Other than stories from the old country and his years of tribulations, from the very beginning he started writing humorous short stories and vignettes of contemporary life during his time in Constantinople and then in the United States. His natural, conversational style made him a sought-after author. He collected his stories in several volumes: The Call of the Race (vol. I, 1949; vol. II, 1954), Four Worlds (1962), Hotel (1967), Yearning (1971), Live, Children! (1973), and Happiness (1978).
Aram Haigaz received various literary awards, and his literary jubilee was marked in 1972 in the United States, Canada, and Lebanon. He lived in Rego Park (New York), and passed away in Manhattan on March 10, 1986, a few days before his eighty-sixth birthday, from complications of pneumonia. The Soviet regime did not allow the publication of his work in Armenia during his lifetime for political reasons. In the past decade, several books of stories and articles scattered in the press have been posthumously published in Yerevan, as well as an anthology of his short stories and a collection of letters.

February 17, 1948: Death of Hagop Oshagan

His writing has remained unknown by the general public. However, Hagop Oshagan was one of the most important novelists and literary critics in twentieth-century Armenian literature.

He was born Hagop Kufejian on December 9, 1883 in Sölöz, a village near Brusa, in western Turkey. He lost his father at the age of five and endured much hardship during his childhood. He studied for a short while in the seminary of Armash, but he was essentially an autodidact. His voracious reading was the main source for his learning.

He became a teacher at the age of 19, when his first short story appeared in the newspaper Arevelk of Constantinople. He started to make a name for himself in the short period of literary renaissance that followed the Ottoman Revolution of 1908, both as a short story writer and a critic. He joined with Gostan Zarian, Taniel Varoujan, Kegham Parseghian, and Aharon Dadourian to create the short-lived literary group “Mehyan,” which published the journal of the same name from January-July 1914 and attempted a literary renovation.

Hagop Kufejian was on the April 24 lists of the Turkish government, but was able to elude persecution for the next three years, despite being arrested several times. In early 1918, disguised as a German officer, he managed to flee to Bulgaria, where he remained until 1920. He married and would have three children. His elder son, Vahe Oshagan (1921-2000), a poet and literary critic, would become one of the leading names of Armenian literature in the Diaspora during the second half of the twentieth century.

Illustration by Zareh Meguerditchian

Hagop Kufejian adopted the last name Oshagan in 1919 and returned to Constantinople, where he worked as a teacher and was active in literary life. He published his first book, a collection of short stories, The Humble Ones, in 1921. In 1922, together with Gostan Zarian, Vahan Tekeyan, Shahan Berberian, and Kegham Kavafian, published Partzravank, a literary journal that tried to be a qualified literary voice.

The occupation of Constantinople by the troops of Mustafa Kemal in 1922 provoked the escape of many Armenians from the city. Oshagan also left and, after living in Bulgaria from 1922-1924, he became a teacher in Egypt (1924-1928), at the Melkonian Institute of Cyprus (1928-1935), and at the Seminary of Jerusalem (1935-1948).

In the last twenty-five years of his life, Oshagan put together a prodigious amount of literary production, including several lengthy novels. Particularly important was the eighteen hundred-page novel The Remnants (1932-1933), which he left unfinished and was intended to be a novel about the Armenian catastrophe of 1915. Barely read at its time, it became an object of cult followers during the past thirty years, as well as the subject for important literary studies.

Aside from his fiction, including also plays and many literary essays, Hagop Oshagan wrote the ten-volume Panorama of Western Armenian Literature (1939-1944), a collection of monographs about the most important literary figures of the period 1850-1915, which he intended to be the “novel” of that period in Western Armenian culture. He only saw the publication of the first volume in 1945. The remaining nine volumes were published between 1951 and 1982. This cemented his fame as the most important name in Armenian literary criticism.

Oshagan passed away in Aleppo, where he had gone to visit the areas that had been the scene of the Armenian deportation and killing in 1915. He died from a heart attack on February 17, 1948, and was buried in the local Armenian cemetery. He had not been a writer for the masses in his lifetime; nevertheless, twenty thousand people attended his funeral. Every year (until the recent Syrian civil war), the students of the Karen Jeppe College of Aleppo went to the Armenian cemetery at the beginning of the school year to pay their respect at his tomb.

Birth of Hagop Oshagan - December 9, 1883

When Hagop Oshagan, one of the foremost Armenian writers of the twentieth century, passed away at the age of 65, he left many thousands of pages of published works in newspapers and many more that were unpublished. In Beirut alone, 33 volumes of published or previously unpublished works bearing his name were published after his death, between 1958 and 2013.

He was born Hagop Kufejian in the village of Sölöz, near Brusa, in Asia Minor. He was a dropout from school and an autodidact, who read voraciously the classics of the nineteenth century, including Dostoyevsky, his inspiration for his novels. He published his first story in 1902, but his literary career started after 1909 in Constantinople. By 1914 he was already known by his literary criticism and his short stories. He became, along with Gostan Zarian, Kegham Parseghian, Taniel Varoujan, and Aharon, the founder of the short-lived monthly Mehyan, with the hope of starting a literary movement among Western Armenians that was cut short by the genocide.

He was on the Turkish list of targeted intellectuals, but he managed to escape persecution and arrest, and lived in hiding in Constantinople until early 1918, when he surreptitiously crossed the border into Bulgaria, where he married Araksi Astarjian. They would have three children, Vahe, Anahid, and Garo, of which the first two would be writers. (Vahe Oshagan would become one of the leading intellectuals of the Diaspora in the second half of the twentieth century.) They returned to Constantinople after the Armistice. Kufejian started to use the name Hagop Oshagan around 1920 in the newspaper Jagadamard. He became a teacher and continued his literary production. In 1922 he published another short-lived journal, together with Zarian, Vahan Tekeyan, Shahan Berberian, and Kegham Kavafian, but the new attempt at a literary revival was cut short by the retreat of the Allied forces from Constantinople and the victory of the Kemalist movement in Turkey. He left the city, as many other Armenian intellectuals and much of the community did, and moved back to Bulgaria. After 1924, Oshagan worked as a teacher, first in Cairo, then in Nicosia, at the Melkonian Educational Institute, and finally, after 1934, at the Seminary of Jerusalem. He forged his reputation as a charismatic literature teacher, and a demanding literary critic.

Oshagan published two collections of short writings in the early 1920s, but then he focused on his novels. His literary life was defined by the Catastrophe (he practically coined the term Aghed to name the event that had swept over Western Armenian culture in 1915), as he shifted into the literary reconstruction of the lost world. His magnum opus, Mnatsortats (The Remnants), a three-volume novel published in 1932-1934, depicted the life of a Western Armenian family and the complicated Turkish-Armenian relationship on the eve of the Catastrophe. However, he was unable to write a projected final volume where he intended to represent the deportation itself. The first volume of this novel has just been translated into English by G. M. Goshgarian.

He also wrote the “novel of Western Armenian literature,” Panorama of Western Armenian Literature, a monograph that encompassed the period 1850-1915 in ten volumes, of which only the first was published at the time of his death, and the last nine were published in the next quarter of a century.

Hagop Oshagan passed away in Aleppo on February 17, 1948, on the eve of a planned visit to the killing fields of Der Zor. He was buried at the Armenian Cemetery of the city, in an imposing funeral attended by some 20,000 people.