Mekertich
 Armen was a less known, even though well-regarded member of the 
generation of Armenian intellectuals that became victim of Stalinism.
                                   
                                   
                                    He
 was born Mekertich Harutiunian on December 27, 1906, in Alexandropol 
(nowadays Gumri), in a family of artisans. He studied in a local school 
and then in the gymnasium for boys and in one of the schools opened by 
the Near East Relief in the city. Years later, he would graduate from 
the State Institute of Cinematography in Moscow, where he studied at the
 section of script writing for two years.
                                   
                                   
                                    In
 1922-1923 he was a boy scout (scoutism was still tolerated in Soviet 
Armenia in the early 1920s), and in 1923 published his first poem in the
 local newspaper 
                                    Panvor
                                    .
 In 1925 Mekertich Armen was one of the founding members of the 
short-lived “October” union of writers of Leninakan (Gumri’s name in 
Soviet times), started by Gurgen Mahari (1903-1969) along with Soghomon 
Tarontsi (1904-1971), Gegham Sarian (1902-1976), Sarmen (1902-1980), and
 others. In 1925 he moved to Yerevan and entered another short-lived 
union of writers, called “November” and founded by Yeghishe Charents 
(1897-1937). He worked for a few years in the editorial offices of the 
journals 
                                    Grakan Dirkerum 
                                    and 
                                    Yeritasard Bolshevik
                                    . He would also be the secretary of the artistic council of Haykino (the Armenian film studios, later known as Armenfilm). 
                                   
                                   
                                    By
 1934, when he became a member of the newly founded Writers Union of 
Armenia, Mekertich Armen had already published several books of prose, 
among them the novels 
                                    Yerevan 
                                    (1931) and 
                                    Scout 89 
                                    (1933).
                                     
                                     His remarkable novel 
                                    The Fountain of Heghnar 
                                    (1935), set in pre-Soviet times, put him among the best writers of his generation. 
                                   
                                   
                                    However,
 the political purges that swept the Soviet Union in 1936-1938 did not 
spare the political and intellectual class of Armenia. Along with many 
members of his generation (Charents, Axel Bakunts, Gurgen Mahari, 
Vagharshag Norents, Soghomon Tarontsi, among many others), Mekertich 
Armen was arrested in 1937 as an “enemy of the people” (the usual slogan
 of authoritarian and totalitarian regimes to tarnish its potential and 
real opponents) and exiled to a labor camp, where he remained until 
1945.
                                   
                                   
                                    Upon
 surviving the hardships of exile, he returned to Yerevan and continued 
his literary activities. He published new novels and collections of 
short stories, but none repeated the success of 
                                    The Fountain of Heghnar, 
                                    which
 had been printed twice before his arrest and had three more editions 
from 1955 to 1961. In the short interlude of Nikita Khruschev’s period 
of the “thaw,” when the crimes of Stalin were denounced and some works 
reflecting the Siberian labor camps were allowed to be published, Armen 
published a collection of short stories, 
                                    They Asked Me to Deliver to You 
                                    (1964),
 that brought some recognition once again. In the last years of his 
life, he was named Emeritus Worker of Culture of Soviet Armenia (1967) 
and his collected works were published in five volumes (1967-1971). 
                                    The Fountain of Heghnar 
                                    was
 the subject of two films (“The Fountain of Heghnar,” Arman Manarian, 
1971, Yerevan, and “The Spring,” Arby Ovanessian, 1972, Iran).
                                   
                                   
                                    Mekertich Armen passed away on December 22, 1972, in Yerevan.
                                   
