Quite
 a  neglected name in the literary canon, Shushanik Kurghinian was one 
of the  earliest figures of Armenian feminist literature. Shushanik 
Popoljian was born  in Alexandropol (today Gyumri) into a poor family. 
She wrote in her  autobiography, “Sometimes father would bring his 
shoe-repair ‘workstation’  home, in order to save money, and I would 
work for him demanding my wages,  every single kopeck. Mother, being 
raised in a traditional household, would  reprove of my ‘ill behavior 
toward my parent,’ blaming those harmful books for  corrupting me.”
She first  studied at an all-girls school. In 1893, at the age of 17, 
she organized the  first female faction of the Social Democratic 
Hnchakian Party (founded in  1887). She was twenty-one when she married 
Arshak Kurghinian, a businessman and  a member of the socialist 
underground in the Caucasus. She published her first  poem in 1899 in 
the monthly Taraz. Her  activities against the Russian czar blacklisted her. In 1903 she escaped to  Rostov-on-Don, in the northern Caucasus, with
 her two children, while her  husband stayed in Alexandropol. Living in 
utmost hardship and poverty,  Shushanik Kurghinian immersed herself in 
the Russian revolutionary milieu and  some of her most powerfully 
charged poetry was written from1907–1909, during  the years of her 
affiliation with Rostov's proletarian underground. 
She  managed to clandestinely publish her first collection of 43 poems, Ringing of the Dawn, assisted
 by Alexander  Miasnikian, the future leader of the communist party in 
Soviet Armenia. Her  second forthcoming volume, however, was rejected by
 the censors and never  released. Her poetry brought out the most 
silenced voices and raised such  issues as the unjust social conditions 
that forced poor women to lives of  prostitution and exploitation. 
Kurghinian used poetry to promote feminist  ideals, envisioning a social
 revolution through women’s struggle for equal  rights and emancipation. 
She  continued to write and participate in social projects, but her 
fragile health  became an issue. She moved back to Alexandropol in 1921,
 a year after the  sovietization of Armenia. She traveled to Kharkov and
 Moscow in 1925 for  medical treatment, but returned home disappointed. 
After the earthquake of  Leninakan (the name of Alexandropol from 
1924-1990) in 1926, she settled in  Yerevan. She died the next year at 
the age of fifty-one. 
During  the Soviet era, Kurghinian’s poetry was used only for socialist
 propaganda,  thus undermining the artistic merit of this writer and 
activist. Her feminist  works were marginalized. As Victoria Rowe writes
 in A History of Armenian Women’s Writing, 1880-1922, “Soviet 
literary  criticism ignored the gender specific aspects of Kurghinian’s 
works because  they posited that socialist society would eliminate 
women’s problems, and any  specific addressing of women’s issues was 
condemned as ‘bourgeois’.” Her works  have started to be seen under a 
new light over the past few years.
